It’s hard to break a habit of photographing weddings…even at your own wedding, so at our wedding last year (branded as KISTfest), we decided to set up a camera to take a picture every minute in the 2 days prior to the wedding and on the day itself. It’s not every groom that has to think about changing camera batteries, timelapse controller batteries and memory cards (we ended up filling four 4GB cards!) in the build-up to the wedding!
In order to get the best overall feel for the day, we needed the camera to be quite high up, so it was shot from a windowsill, overlooking the main marquee and the space in front; the hub of activity on the day. The windowsill position presented a few challenges with glare from the white frame, rain on the glass and then condensation on the morning of day 2. We also couldn’t go quite as wide as we wanted with the image, as the window frame would have featured. We think it was fairly successful though in capturing the the overall feel of the occasion though and we love freezing individual frames to see some of the great moments captured by the all-seeing eye.
As for camera settings…we didn’t do quite so well. It was one of the first time lapses we’d done and we foolishly decided to go for manual exposure so that you’d get a good feel for the changes in light. On the positive side, this decision gave us some lovely sunrise and sunset transitions of light, fading to and from black. But sadly it also led to some rather over-exposed shots of the marquee roof in bright sunlight and loss of detail at dusk. We’ve learned from that since though in our subsequent time lapses!
Kiri then created a soundscape to accompany the resulting time lapse, using mainly sound bytes from the day of the wedding, but a few off-the-shelf sounds to fill the gaps in the first two days.
Will we now be offering time lapse services as part of our wedding photography offerings? We’ll have to see when we get back from our travels!